play it here! [X]
Oh man, this frigging game!! It’s so good and I’m soooo bad at it.
my semester’s design project
A dynamic “second skin” which articulates a wearer’s need for personal space by responding to and exaggerating his body language. The piece changes position depending on the movement the wearer makes with each arm.
We used a combination of digital fabrication techniques and handcrafting to get this result.
are the reindeer getting it on im
no theyre playing leapfrog
I WANTED TO MAKE SOME SONIC REACTION GIFS SO I MADE THIS ONE AND I CAN’T STOP LAUGHING AT SONIC’S REACTION HOLY SHIT
ok so this just hit me
humidifiers fill the air with water molecules from a source of water.
so what if someone filled a humidifier with holy water. would this essentially cleanse a room of all evil?
8-foot giant squid pillow.
- 2 yards of felt
- 1 yard of patterned fabric (I suggest a polka dot-type pattern so it looks like suction cups)
- 1 medium piece of black felt, 1 medium piece of white felt (for the eyes)
- white thread, black thread and thread of the same color as the felt you’re using
- about 5 lbs. of stuffing
- a couple big sheets of paper to draw your pattern
First, you need to draw out your patterns. Here’s a basic template to get you started, although most of the measurements are reasonably fudgeable. If in the likely event you don’t have any four-foot-long pieces of paper lying around, just tape a few pieces together.
Once you’ve drawn out your eight patterns, it’s time to cut the fabric. Pin the pattern to the fabric, laid flat, and cut out the following, leaving a half an inch or so of extra fabric around the edge of the pattern:
FOR THE ARMS: 8 felt and 8 fabric cutouts of piece 1
FOR THE, UH, LONGER ARMS: 2 felt and 2 fabric cutouts of piece 2
FOR THE BODY: 2 felt cutouts of piece 3
FOR THE FIN: 4 felt cutouts of piece 4
FOR THE HEAD: 1 felt cutouts of piece 6
FOR THE EYES: 2 white felt cutouts of piece 7 and 2 black felt cutouts of piece 8
So now you’ve got all your pieces ready, it’s time to start sewing them together. I did mine by hand because my sewing machine is busted and I get a kind of Zen buzz from sewing by hand, but if you have a non-busted one I recommend that you use it as it will be MUCH EASIER. You’re going to be sewing everything with the nice side of the fabric facing in, then turning it inside out to stuff it.
THE ARMS: Pin together one patterned fabric piece 1 and one felt piece 1 (with the nice sides facing the inside). Sew down around the U-shape and back up, leaving the top open. Then turn the arm inside out, stuff it (it’s easiest to do both of these things if you sort of scrunch it up like you’re trying to put on a pair of tights, excuse the non-dude-friendly reference) and sew the top closed. Do the same for the other seven arms and rejoice in the fact that this is the most tedious part. Same deal with the two long arms, they’re just harder to stuff.
THE FINS: Pin together two of your piece 4s and sew together the curvy outer edge. Turn the piece inside out, so the seam you just sewed is on the inside, and start sewing up the other side, stuffing gradually as you go along. You should end up with a triangle-ish puffy thing. Repeat for the other two piece 4s.
THE BODY: Put down one piece 3, then place the two fins you have down with the point up and the curvy side pointing in, then make a sandwich by putting the other piece 3 down on top. Pin it all together and sew around the edges with the two fins still inside, as shown. Turn it inside out and move on to…
THE HEAD: So take piece 6 and the ten arms you’ve already done. Lay the arms, fabric side facing you, out with the arms’ top seams in a line half an inch from the top of piece 6. The order should be arm arm arm arm BIG ARM arm arm arm arm BIG ARM. The legs should be almost entirely covering piece 6. Pin them in place and sew a straight line through the individual legs seams to attach the legs to piece 6.
When you pick up the other side of piece 6, you now have something resembling a really weird untied hula skirt. Sew together the two 9-inch ends of piece 6 with the fabric side of the arms on the outside, and keep it inside out for the moment.
PUTTING IT ALL TOGETHER: Fit the open end of the body through the arms (still fabric side facing out) and pull the edge all the way through the felt cylinder so it’s even with the edge that DOESN’T have arms attached to it. Sew around the diameters of the head cylinder and the body cylinder to attach them, then pull the legs down over the head and you’re almost done!
Stuff the body, then seal it off by sewing piece 5 over the open end (even if you do have a functional sewing machine, you’ll probably have to do this part by hand).
THE EYES: Sew the black circles on the white circles and whipstitch the eyes onto the head. You do this last because you can’t tell where they’re going to end up on the end product if you put them on before stuffing the body.
Paging tumblr user Rainbowbarnacle…
OH GOD I WANT ONE SO MUCH.
…well. i guess i know what the first thing I’m making once I have a sewing machine is…
MY FRIEND IS MAKING ME THIS FOR CHRISTMAS !!!!!!!
LOOK HOW FAR UP THE RANDY CUNNINGHAM SWEATER IS RANKED
WE ARE SWEATER-ING UP THE COMPETITION
LET’S KEEP GOING FANJAS
You know the scene where Elsa’s arm apparently clips through her hair?
Not an error. It was an intentional choice by the animators.
Here, from the TV Tropes Crowning Moment of Awesome Page for Frozen:
"The shot where [Elsa] lets her hair down becomes [awesome] when you learn that it was nearly impossible to do. The animators had to phase Elsa’s braid through her arm to keep the model from breaking, but you can hardly see it."
Boom. So it was either Elsa’s hair goes through her arm slightly or her sprightly frame twists in half like a party popper.
Can everyone please shut up about it now?
Of course it is.
ALL BITCHES THIS IS MY HOME TOWN TAKE A FUCKING SEAT WHILE I TELL YOU THIS STORY. GET A BOWL OF POPCORN BECAUSE THIS SHIT IS DOPE
IN THE 1940’S PORTLAND WAS PUTTING IN LAMPPOSTS AND FOR WHATEVER GOD DAMN REASON THIS ONE NEVER GOT FILLED.
IN 1946, DICK FAGAN, AN AMERICAN IRISHMAN WHO WROTE FOR THE OREGON JOURNAL, GOT BLOODY FUCKING BORED AT HIS JOB AND WOULD LOOK OUT HIS WINDOW ONTO THIS SAD EXCUSE FOR ROAD CONSTRUCTION HOLE. ONE DAY HE SAID “FUCK THIS” AND PLANTED SOME FLOWERS.
HE WROTE ABOUT THIS NEW FUCKING PARK AND SPOKE ABOUT HOW LEPRECHAUNS LIVED THERE AND SHIT. MOTHERFUCKING LEPRECHAUNS IN THE MIDDLE OF DOWNTOWN, WHAT THE SHIT.
HOLD ONTO TO THE EDGE OF YOUR SEATS BECAUSE THIS RIDE GETS EVEN BETTER. THIS PARK HOLDS A GUINNESS WORLD RECORD FOR BEING THE SMALLEST PARK WITH WITH INFORMATION SAYING “It was designated as a city park on 17 March 1948 at the behest of the city journalist Dick Fagan (USA) for snail races and as a colony for leprechauns”. MOTHER. FUCKING. SNAIL RACES. BITCHES.
IT’S EVEN BEEN PIMPED OUT OVER THE YEARS
HO HO HO MOTHERFUCKS WE CELEBRATE CHRISTMAS HERE
WE CARE ABOUT THE ENVIRONMENT.
THE BEST PART IS THAT IT EVEN HAD OCCUPY PORTLAND PROTESTERS
SO I HOPE YOU FUCKING LEARNED SOMETHING TODAY ABOUT TINY ASS PARKS.
Portland fucking Oregon.